Alexandra Conunova gathers a chamber orchestra for a thrilling interpretation of Vivaldi’s masterpiece. One of the most performed around the world, this work celebrates the power of nature, which this highly sensitive and imaginative recording underlines. ABOUT First Prize at the Joseph Joachim Violin Competition in Hanover in 2012, and prizewinner at the XV International Tchaikovsky Competition and at the Singapore International Violin Competition, Alexandra Conunova has been hailed by her virtuosity, warm tone, impressive range of.
Stephenten · 28-Ноя-20 15:53(4 месяца 27 дней назад)
Antonio Vivaldi - Le Quattro StagioniФормат записи/Источник записи: [TR24][OF] Наличие водяных знаков: Нет Год издания: 2020 Жанр: Classical Издатель (лейбл): Aparté Продолжительность: 00:38:28 Наличие сканов в содержимом раздачи: Буклет PDF Контейнер: FLAC (*.flac) Тип рипа: tracks Разрядность: 24/96 Формат: PCM Количество каналов: 2.0 Источник (релизер): prestomusic.com
Concerto No. 3 in F Major, Op. 8, RV 293, Fall 01. I. Allegro (4:50) 02. II. Adagio molto (2:41) 03. III. La caccia. Allegro (3:09) Concerto No. 4 in F Minor, Op. 8, RV 297, Winter 04. I. Allegro non molto (3:20) 05. II. Largo (2:01) 06. III. Allegro (3:07) Concerto No. 1 in E Major, Op. 8, RV 269, Spring 07. I. Allegro (3:17) 08. II. Largo (2:09) 09. III. Danza pastorale. Allegro (3:59) Concerto No. 2 in G Minor, Op. 8, RV 315, Summer 10. I. Allegro non molto (5:03) 11. II. Adagio (2:25) 12. III. Presto (2:36)
Alexandra Conunova gathers a chamber orchestra for a thrilling interpretation of Vivaldi’s masterpiece. One of the most performed around the world, this work celebrates the power of nature, which this highly sensitive and imaginative recording underlines.
Alexandra Conunova Born in 1988 in Moldavia, Alexandra Conunova won the First Prize at the Joseph Jochim Violin Competition in Hanover in 2012, the jury greeted unanimously her virtuosity, impressed by her technique and musicality. In 2015 she was awarded by the International Competition in Singapore and won the Third Prize at the Tchaikovsky Violin Competition in Moscow (the First prize was not awarded). In 2016 she is the fellowship winner of the prestigious Borletti-Buittoni Trust in London. Alexandra performs as soloist with the major orchestras such as Mahler Chamber Orchestra, Orchestra de la Svizzera Italiana, NDR Hannover, Radio Saarbrücken, Mariinsky Orchestra Sankt Petersburg, Camerata Bern, Orchestra di Teatro Regio Torino, Sevilla Orchestra, Toulouse Orchestra, Vienna and Stuttgart Chamber Orchestras, under Valery Gergiev, Theodor Curentzis, John Axelrod, Vladimir Spivakov, Gianandrea Noseda. She toured Japan with Moscow Philharmonic/Yuri Simonov and Europe with Insula Orchestra/Laurence Equilbey (Budapest, Aix, Paris, London…). She plays at the prestigious festivals : Verbier, Montreux Septembre Musical, Gstaad, BBC Londres, Ferrara Musica, Accademia Santa Cecilia Roma, Hamburg Martha Argerich Festival, Bonn, Colmar, Menton, Radio France Montpellier, Aix-en -Provence Easter Festival, Folles Journées in Nantes and Tokyo… and collaborates as chamber music partner with Michail Lifits, Renaud Capuçon, Edgar Moreau, Denis Kozhukhin, David Kadouch, Andreas Ottensamer, Gérard Caussé, Boris Brovtsyn, Jean Rondeau… In summer 2018, great success for her recital with Denis Kozhukhin at Verbier Festival (broadcasted on Medici.tv), as well as Gstaad Menuhin Festival playing Bach Concerti with Basel Chamber Orchestra and Jean Rondeau, « Baïkal Stars » Festival in Russia under Vladimir Spivakov and Besançon Festival. Highlights of the Season 2018/19 : debuts with orchestra at the Paris Philharmonie playing Berg Concerto « A la mémoire d’un ange » with Orchestre Pasdeloup conducted by Wolfgang Doerner, concerts with Mahler Chamber Orchestra (Mozart Concertante) in Verona, Marseille Orchestra/Lawrence Foster (Bartok 2), Hamburg Symphoniker/Sylvain Cambreling (Wieniawski), Lyon Orchestra (Vivaldi/Piazzolla), Staatsphilharmonie Nürnberg/Joana Mallwitz (Sibelius), Luzern Symphonie (Arthur Lourie Concerto)… and recitals in Paris Salle Cortot, Geneva, Lausanne… Nominated « Maître ès Arts » by the Moldavian President, she founded a charity Foundation « ArtaVie » in her home town Chisinau to help disabled young music students. Alexandra’s first recording of Prokofiev Violin Sonatas with Michail Lifits (for Aparté) was acclaimed by international critics : « This recording reveals Conunova as a major artist – in terms of both technical assurance and interpretative daring… I can’t recommend their freshly considered, vividly recorded interpretations highly enough. » (Gramophone). She has recorded Beethoven Triple Concerto with Insula Orchestra and Laurence Equilbey for the prestigious label Erato.
Aidavbar
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Aidavbar · 28-Ноя-20 23:52(спустя 7 часов)
MusVDV
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MusVDV · 13-Дек-20 14:45(спустя 14 дней, ред. 13-Дек-20 14:45)
Это очень интересное исполнение. Совершенно не шаблонное, но далекое от оголтелого т.н. 'авторского' прочтения, при этом наполнено выразительными музыкальными образами. Личная концепция тоже присутствует, уже хотя бы в том, что начинаются здесь 'Времена.' с осени, а заканчиваются летом. Никогда не думал, что подобная смена порядка частей так повлияет на восприятие, хотя это же так просто. В допетровской России, да и у других народов, новый год, новолетие, начинался в сентябре. Об остальном умолчу, дабы не впадать в многопустословие. Однозначно рекомендую. Эту интерпретацию ни в коем случае нельзя назвать изысканной или утонченной, зато осмысленной и наводящей на собственные размышления она точно является. Возможно аутентик-пуристы и просто знакомые с партитурой будут местами недовольны, но не сильно. Порой создается впечатление, что это произведение написано в России, где-то в южных губерниях. И это классно, эти 'Времена.' хочется переслушивать, и, повторюсь, о чем-то думать и после звуков. В отличие от многих других современных исполнений Вивальди, напоминающих красивые музыкальные обои в интерьере, которые послушал и забыл. Кстати, работа звукорежиссера тоже очень хороша и необычна. Послушайте. СПАСИБО РАЗДАЮЩИМ!!!
Vi Sekop
Стаж: 5 лет 7 месяцев
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Vi Sekop · 17-Дек-20 11:50(спустя 3 дня)
Обалденное качество записи. Прекрасною исполнение. Спасибо!
ИМХО. Декоративное исполнение в стиле детского утренника - зайчики, мишки. Ни оркестр, ни солист не могут завязать не одного смыслового узла, и чтобы отделаться от задачи строчат по азбуке морзе как швейная машинка.
bigkubik
Стаж: 11 лет
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bigkubik · 23-Дек-20 22:18(спустя 2 дня 7 часов)
Для меня пока это исполнение лучшее: https://rutracker.org/forum/viewtopic.php?t=3489620
Montifringilla
Download fix dll errorssoftrareabcsoft. Стаж: 10 месяцев
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Montifringilla · 24-Дек-20 06:51(спустя 8 часов)
Разное исполнение, под разное настроение. Хорошо исполняет.
Главная»Hi-Res форматы, оцифровки»Hi-Res stereo и многоканальная музыка»Классика и классика в современной обработке (Hi-Res stereo)
Violinist Alexandra Conunova Releases a Fiery, Individualistic Take on an Iconic Suite as Solace for Troubled Times
During the early days of the lockdown, violinist Alexandra Conunova played parts of Vivaldi’s Four Seasons from her balcony for anyone within earshot.
Is that heroism, or what?
Here in the United States, most of the country remains unable to legally assemble to play music like this for any substantial audience. Fortuitously, inspired by the grateful response of her neighbors, Conunova was able to assemble a bunch of friends and recorded the iconic suite which has (bad pun alert) year-round appeal but here in New York has always been a staple of holiday concerts. If you know of any clandestine performances of the Four Seasons this month, go – otherwise you can hear this electrifying and often stunningly dynamic performance at youtube.
The ensemble open with Autumn and follow with Winter, Spring and Summer, rather than beginning with Spring as some groups do. Overall, this recording is on the brisk, even harried side, and when it’s not, it’s especially dreamy. Moments of starkness – like the crackling staccato in the second movement of Spring – can be genuinely breathtaking, perhaps a reflection on the current state of the world. Yet otherwise, the adagio in Autumn is hauntingly luxuriant, with remarkable contrast between strings and harpsichord. And the almost jolly stroll the group give the middle movement of Winter comes as a shock in a lot of ways: even so, this unorthodox interpretation makes thematic sense.
Alexandra Conunova Vivaldi Biography
Conunova fires off her cadenzas with a quicksilver relish, but also an edge that’s reinforced by the headlong charge the rest of the group make in many of the faster parts: the intro and outro to Winter have as much savagery as anyone could possibly want. Likewise, the way the group explode into action midway through the opening movement of Summer. A practically defiant triumph for an inspired, rotating crew including violinists François Sochard, Dmitry Serebrennikov, Anna Vasilyeva, Marc Daniel van Biemen, Filipe Johnson and Katia Trabe; violists Blythe Teh Engstroem and Izabel Markova; cellists Anastasia Kobekina and Eric Zorgniotti; bassist Ivy Wong and harpsichordist Paolo Corsi.